The Center for Hellenic Studies

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Traumatic Dreams: Lacanian Love, Kubrick’s Eyes Wide Shut, and the Ancient Greek Novel, or, Gliding in Phantasmagoric Chains of Metonymy

back Anton Bierl, University of Basel I. Introduction During Greg Nagy’s last visit to Basel, we had an intense discussion about adolescence and the work of psychologist Carol Gilligan, who has made great strides toward giving a voice to young women. [1] On this occasion I realized that I had not yet told him in […]

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Graveside Irony in the Iliad

back Mike Tueller I. The grave of a Homeric hero is marked by a σῆμα. Whatever its materials or construction, the purpose of a σῆμα is clear: to attract attention. This much we can discern from the word σῆμα itself, but Homer is sometimes even more clear. In the following passage Nestor does not use […]

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A Piping Odysseus in Ptolemy the Quail

back Timothy Power, Rutgers University, New Brunswick A strange bird indeed Even in the odd company of Imperial mythographers, paradoxographers, antiquarians, and literary revisionists, Ptolemy the Quail (Ptolemaios Chennos), an Alexandrian writing around the turn of the first into the second century CE, qualifies as a fringe figure. [1] While the Quail was certainly not […]

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Picturing Homeric Weaving

back Susan T. Edmunds Introduction §1. In discussion of Homer and the lyric poets, Gregory Nagy has shown how “the idea of making song is expressed metaphorically through the idea of making fabric.” [1] The process of weaving would have been completely familiar to the average person in Greek antiquity, yet it is not generally […]