Books

The Captive Woman’s Lament in Greek Tragedy.

The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman’s Lament in Greek Tragedy addresses the possible meanings… Read more

Mythical Structures in Herodotus’ Histories

Abridged translation of Mythische Erzählstrukturen in Herodots “Historien”, published in 2011 by De Gruyter. Herodotus is often criticised for his mythical representation of historical events. However, this offers an important key to the understanding of the text. Starting with the reconstruction of a contemporary mythical-ritual framework, in her reading of the Histories Katharina Wesselmann uses the associative content of the traditional themes of iniquity, madness, trickery and transition which underpin… Read more

The Myth of Return in Early Greek Epic

“The main argument of this book is that the connection suggested by Homer between the ‘wiles’ and the ‘wanderings’ of Odysseus in fact rested upon an earlier tradition both significant and deep. The origin of this tradition has to do with the etymology of the Greek word nóos, ‘mind’, which I propose to connect with the Greek verb néomai, ‘return home’. Such an effort requires that nóos be reconstructed… Read more

El espejo de las Musas: El arte de la descripción en la Ilíada y Odisea

The subject of this book, which is an amplified version of the author’s MA thesis, is the art of description in the Iliad and the Odyssey. The art of description, or ekphrasis, is studied initially in general, seen in conjunction with such basic Homeric issues as formulaic language and similes, but via discussions on Homeric descriptions of nature and agriculture, the book ends up studying Homeric descriptions of arts… Read more

Homeric Questions

The “Homeric Question” has vexed Classicists for generations. Was the author of the Iliad and the Odyssey a single individual who created the poems at a particular moment in history? Or does the name “Homer” hide the shaping influence of the epic tradition during a long period of oral composition and transmission? In this innovative investigation, Gregory Nagy applies the insights of comparative linguistics and anthropology to offer a new historical model… Read more

ΕΛΛΗΝΙΚΑ ΓΡΑΜΜΑΤΑ: ΕΙΣ ΤΑΣ ΑΝΑΤΟΛΙΚΑΣ ΕΠΑΡΧΙΑΣ ΤΟΥ ΒΥΖΑΝΤΙΟΥ ΚΑΤΑ ΤΟΥΣ ΔΥΟ ΠΡΩΤΟΥΣ ΑΙΩΝΑΣ ΤΗΣ ΑΡΑΒΟΚΡΑΤΙΑΣ (Ζ’ & Η’)

This thesis covers Greek literature (“Letters”) in the eastern provinces of Byzantium during the first two centuries of Arab rule (the 7th and 8th centuries). In it, the author aims to project the true value of this literary production, which he sees as underestimated, through its comparison to that of the ancient Greeks. The author attempts to provide evidence that Greek literature and opportunities for its study were still… Read more

Indo-European Language and Society

Translated from the French by Elizabeth Palmer, this online edition has been revised and updated by Jeremy Lin, Jacqueline Lewandowski, and Vergil Parson. “This work belongs in a bountiful tradition. Less than a decade after Devoto’s Origini indeuropee, Benveniste, leaving aside most apparatus but ever so supremely in control of the data, has produced a classic. We may see it as a collection of monographs or as the… Read more

“Mixed Aorists” in Homeric Greek

“The Homeric poems provide some of the easiest reading in Greek literature, as well as some of the most rewarding, and so we are introduced to them at an early stage in our study of the language. But when we learn more, we discover that Homeric Greek is not so simple after all. Some of its phenomena remain unexplained after two millennia of scholarship. For instance, we come across… Read more

Homeric Responses

The Homeric Iliad and Odyssey are among the world’s foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing? These uncertainties have been known as The Homeric Question, and many scholars, including Gregory Nagy, have sought to solve… Read more