Casey Dué, The Captive Woman’s Lament in Greek Tragedy
Casey Dué, The Captive Woman’s Lament in Greek Tragedy… Read more
Casey Dué, The Captive Woman’s Lament in Greek Tragedy… Read more
The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman’s Lament in Greek Tragedy addresses the possible meanings… Read more
Alexander Hollmann, Master of Signs: Signs and the Interpretation of Signs in Herodotus’ Histories… Read more
[[This article was originally published in 2004 in Greek Ritual Poetics (ed. D. Yatromanolakis and P. Roilos) 139–148. Hellenic Studies 3. Cambridge, MA and Washington, DC. In this online version, the original page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{139|140}” indicates where p. 139 of the printed version ends and p. 140 begins.]] Repetition in Homeric poetry is a matter of performance, not… Read more
Papyrus Text Redirect Click here to redirect to the Derveni Papyrus site. … Read more
[[This is an electronic version of an article that appeared in Harvard Studies in Classical Philology 100 (2000) 97–118. In this online version, the original page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{97|98}” indicates where p. 97 of the printed version ends and p. 98 begins.]] This essay explores the idea of epic in relative rather than absolute terms, with specific reference to… Read more
Online edition of Hellenic Studies 39, published in print in 2010 by the Center for Hellenic Studies. Copyright, Center for Hellenic Studies. The print version is available for purchase via Harvard University Press here. Read more