Archives: Chapters

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Appendix. The Etymology of Mênis

Appendix. The Etymology of Mênis After the in-depth contextual analysis of mênis provided above, it should be possible to resolve some of the lingering questions about its etymology. In this appendix, I propose to (1) point out the existence of a word ultimately related to mênis that is attested in the oldest […]

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3. The Narrative Sequence of the Hesiodic Theogony

3. The Narrative Sequence of the Hesiodic Theogony The purpose of this chapter is to articulate the relationship between the Hesiodic Theogony and mênis, the starting point of the Homeric Iliad. The existence of a global relationship between these poetic traditions has already been postulated by Laura Slatkin, who has described its […]

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2. Mênis and the Social Order

2. Mênis and the Social Order An irrevocable cosmic sanction that prohibits some from taking their superiors for equals and others from taking their equals for inferiors—this abstracted definition implies a rigid hierarchical structure and a predictable punitive response to violations of it that belie the richness and flexibility of Greek epic. […]

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Introduction: Approaching Anger

Introduction: Approaching Anger [In this on-line version, the page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{69|70}” indicates where p. 69 of the printed version ends and p. 70 begins. These indications will be useful to readers who need to look up references made elsewhere to […]

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Acknowledgments

Acknowledgments During the gestation of this book, I have not lacked for support and material assistance from many people. My sincere thanks go to the following persons who have contributed to, corrected, and encouraged my work: Chris Dadian, Carol Dougherty, Judith Feher-Gurewitch, Carolyn Higbie, Stephanie Jamison, Claudine Kahan, Leslie Kurke, Françoise Létoublon, […]

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7. Two Conclusions

7. Two Conclusions Despite being a product of diachronic, Panhellenic dissemination, Homeric Greek, as an artificial literary language, is strikingly complex in the Russian Formalist sense of displaying literatur’nost’ (“literariness”). That is, both epics were “built” over the millennia through such devices as “the epic simile”; formulaic repetition (anaphora); foreshadowing; paranomasia (double […]