Plates Plate 1. A fresco from the so-called Palace of Nestor in Pylos suggests that as early as Mycenaean times, poetry in performance has been conceived of as being in flight. Drawing by Valerie Woelfel, after a reconstruction by Piet de Jong. Plate 2. Red-figure skyphos attributed to Macron (Louvre G146), depicting Agamemnon […]
Conclusion. “In Appearance Like a God”: Textual Criticism and the Quest for the One True Homer Aristarchus athetized at least seven passages of three verses or more in Iliad 20 alone. Each athetesis gives us insight into an editor who was struggling to account for a mythological and poetic tradition that was […]
Chapter 4. The Lost Verses of the Iliad: Medieval Manuscripts and the Poetics of a Multiform Epic Tradition In this chapter we skip ahead many centuries, to the medieval manuscript tradition. The medieval manuscripts are our best source of information about the texts known to the Hellenistic scholars who were in charge […]
Chapter 3. “And Then an Amazon Came”: Homeric Papyri In the previous chapter we saw that the earliest witnesses to the text of the Iliad, in the form of early quotations, are multiform. Additional verses and variations within verses are not uncommon, and the attested variations are often of a demonstrably formulaic […]
Chapter 2. Sunt Aliquid Manes: Ancient Quotations of Homer A multitextual approach to Homeric epic acknowledges and even embraces an expected amount of variation between performances of oral poetry. Because this multiformity was generated within a system, the attested variations enable us to appreciate the poetry of the Homeric epics on more […]
Chapter 1. “Winged Words”: How We Came to Have Our Iliad Our Iliad consists—to quote a well-known Homeric formula—of “winged words” (ἔπεα πτερόεντα). An image in a Bronze Age fresco from Pylos suggests that as early as Mycenaean times, poetry in performance was conceived of as being in flight (Plate 1). [1] […]
Introduction How many ways are there to tell the story of Troy? A passage from Iliad 20 makes me wonder just how flexible the Homeric tradition might be. At the beginning of book 20, Zeus calls the gods to an assembly. He tells them that they may now join the battle taking […]
Preface This book is dedicated to my friend and collaborator in all things, MARY EBBOTT σύν τε δύ᾽ ἐρχομένω καί τε πρὸ ὃ τοῦ ἐνόησεν ὅππως κέρδος ἔῃ The occasion of the writing of this book is the completion of the Homer Multitext project’s digital edition of the Venetus A manuscript […]
Bibliography of Frequently Cited Works Bethe, Erich. 1929. Homer: Dichtung und Sage, 2: Odyssee. Kyklos. Zeitbestimmung nebst den resten des troischen Kyklos. Leipzig. Diels, H. 1921. Der antike Pessimismus. Berlin. Dihle, Albrecht. 1970. Homer-Probleme. Cologne. Griffin, Jasper. 1977. “The Epic Cycle and […]
Appendix 4. Testimonia T1 Aelian Aelian Var. Hist. 9.15 (p.106 Dilts) λέγεται δἑ κἀκεῖνο πρὸς τούτοις, ὅτι ἄρα ἀπορῶν [scil. Ὅμηρος] ἐκδοῦναι τὴν θυγατέρα ἔδωκεν ἀυτῆι προῖκα ἔχειν τὰ ἔπη τὰ Κύπρια. καὶ ὁμολογεῖ τoῦτο Πίνδαρος (fr. 265 Sn.). The further point is made that Homer, being at a loss […]